Email: Mail: Opéra national de Paris - Service des visites– 8 rue scribe – 75009 Paris – France They are immersed in the utilisation of the body, the person and the human soul.These booking conditions are valid for all groups with their own guide (no minimum participants’ number) and for groups with a minimum of 10 participants without guide.īookings are obligatory (at least 21 days before the date of the visit) and must be done at the Visits Service. “It can never be said that my ballets are abstract. Here, there are no sets or costumes: purity of movement has pride of place. The skillful convolutions of his pas de deux are also evident in his “black and white” ballets. Balanchine's style - he was trained in the Russian technique by the greatest ballet masters - is not monolithic and contains numerous references, evoking both the Imperial Ballet and character dances.īalanchine also retained a penchant for a corps de ballet made up of numerous performers he liked the interlacing arms that linked the dancers together as their legs criss-crossed across the stage. Always in total symbiosis with the score, his ballets allow us to hear the dance and see the music. This season, Who Cares? and Ballet Imperial are entering the Opera’s repertoire, the first being about Broadway and musicals to Gershwin's songs and the other about the imperial Russia of Balanchine’s childhood.įrom narrative ballets to abstract pieces, the choreographer’s body of work is rich and varied. Today, the Ballet repertoire includes more than thirty of his pieces, all of them reflecting the different styles and inspirations of this neoclassical master. In 1947, the choreographer was invited to stage three of his ballets: the same year, he created Le Palais de cristal for the Company. The Paris Opera has always had a special relationship with George Balanchine.
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